Approaching 20 sketchers came to St Michael's Church, Highgate on Saturday, 27 January, to draw and paint Islington's prestigious Haydn Chamber Orchestra in rehearsal, thanks to a very kind invitation via Islington Art Society member, Alison Glaister. (Three people went to the previous night's rehearsal in St Andrew's, Thornhill Square.) People who had not been to St Michael's before were very impressed with the striking Evie Hone stained glass Last Supper in the East Window, but mostly managed to focus their art on the orchestra, whose music was breathtaking.
The conductor was the distinguished Paul Daniel, and the piano soloist the equally distinguished Charles Owen. The pieces were Schumann's Piano Concerto, Brahms' Symphony number 3, and Siegfried's Rhine Journey, from Wagner's Gotterdammerung. It was such a treat and a privilege to be so close to such beautiful music, we are so grateful to the orchestra for allowing us to overlook them during their practice runs. It was also good to see the love the musicians have for the intricacies of the music, and how Paul Daniel finessed the interpretation of certain phrases.
One or two artists went up to the galleries and took in the whole ensemble and church, but most people focused their concentration on selected performers. The removal of the Steinway piano after the Schumann was a bit of a blow for some, but they soldiered on without its substantial presence in the middle of their compositions.
We all enjoyed ourselves enormously. It was such a delightful afternoon. We thank the Haydn Chamber Orchestra for giving us the opportunity to sketch them.
Please enjoy looking at our images below. Any further submissions will be added in later.
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Image above by Daniel Lloyd-Morgan |
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Two images above by Ruijun Hu | |
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Six images above by Vanessa Whinney |
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Two images above by Ann Kozlowski-Hunt |
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Two images above by Maureen Bocking | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
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Three images above by Lorraine Peacock |
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Two images above by Janet Payne |
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Two images above by Do Burgess | | |
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Three images above by Peter Colley |
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Image above by Christian Cook | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
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Image above by Frank Burgess
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Two images above by Alison Gardiner
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Four images above by Janet Perkins |
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Three images above by Penny Spelling |
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Two images above by Cathy Burkinshaw |
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Three images above by Sue Lees | |
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And finally, Pauline Cushnie sketched the sketchers:
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